adrienne maree brown

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The Body and The Parable Opera

  For several days before the Parable of the Sower Opera, I get flashes of…

The imagination of Jennifer Harge’s Choreography

On an unusually cold Spring evening in Detroit, I parked my car in front of…

Leni Riefenstahl, the Master

There are multiple parts to the process of assessing the aesthetic quality of a photograph.…

Black Fatherhood Photographed

Off the grid from the usual New York City gallery circuit, the photographer Zun Lee’s…

Cecile Emeke’s step-by-step guide to creating a film

This month, we are pleased to premiere a new film by Cecile Emeke,  an entirely sincere, comprehensive…

On Cecile Emeke and the conditions of Black Cultural Production

Cecile Emeke’s aesthetic decisions as a filmmaker have been provocative, bold, and often profound, playing…

There is A Kingdom

Walking into the exhibition room on the lower ground floor of the Tyburn Gallery in…

In Conversation with Ti Moun Rezistans by Sabrina Greig

Original translation from Kreyol to English by Geraldaro Jeudy; interview by Sabrina Greig The legacy of…

Looking back at 2017

2017 is almost over. Thank God. It’s been a hard, weird year hasn’t it friends? And…

Unburdening the Object

  “How do you begin to unburden an object bound to nothing when you too…

In Conversation with Deborah Roberts by Amarie Gipson

  Deborah Roberts is a multimedia visual artist from Austin, Texas. She is one of…

Sorry not sorry.

  Sorry not sorry.(Couples Counseling for Artists and Institutions: Step Two) [note]Presented as part of Chloë…